Internationally celebrated conductor and Professor of Music Malcolm J. Merriweather has a lot on his plate. The Grammy-nominated artist serves as director of choral studies and coordinator of the vocal studies program, director of the New York Philharmonic Chorus, and music director of New York City’s The Dessoff Choirs and Orchestra. But a new role as Brooklyn College’s inaugural Tania León Chair of Music in the School of Visual, Media and Performing Arts has him excited to share his immense talents with the next generation of diverse musical artists. The opportunity also enables him to honor one of the college’s most distinguished former music professors. We talked to Merriweather about this transformative new position in the Conservatory of Music and his vision for the work ahead. How does it feel to be the inaugural Tania León Chair of Music? Inaugural Tania León Chair Malcolm J. Merriweather, pictured with Kennedy Center Honoree Tania León, Tow Foundation founder and chair Leonard Tow ’50, and President Michelle J. Anderson at a Presidential Lecture Series event. Being the inaugural Tania León Chair of Music is an incredible honor and responsibility. It’s a recognition of Tania León’s immense contributions to the field, and it allows for the continuation of her legacy in fostering diversity, creativity, and innovation in music. The Tow Foundation’s support is pivotal in making this chair possible and emphasizes their commitment to the arts and education. This partnership not only highlights the importance of music in our culture but will inspire new generations of composers and musicians. It feels like a unique opportunity to engage with students, promote diverse voices, and create an inclusive environment that reflects Tania León’s vision. Overall, it’s both thrilling and inspiring to be part of such a meaningful initiative. Does the naming of the chair for Tania León hold special meaning for you? Absolutely. The fact that the chair is named for Tania León holds profound significance. Tania is not only a groundbreaking composer and conductor but was a cherished mentor and colleague when she was on the faculty at Brooklyn College. I was able to assist her as she conducted the world premiere of Mary Watkins’ opera Emmett Till, A New American Opera. More recently, I commissioned Tania to write a piece to celebrate the centennial of The Dessoff Choirs. She continues to influence musicians around the world and enrich the cultural landscape. What are the main priorities you set for this role, academically and otherwise? Photo courtesy of The Dessoff Choirs. As chair, my foremost priorities are to cultivate a vibrant and inclusive environment for students and the broader community. Academically, I aspire to leverage my professional connections to forge strategic partnerships that enhance our programs. I have already begun this work with The Dessoff Choirs and members of our Master’s of Music in vocal performance cohort. Our students sang Brahms’ Requiem in the historic Town Hall in November to celebrate the centennial of The Dessoff Choirs. In a city as dynamic as New York, it is essential to create spaces where students can explore, innovate, and discover their unique voices. How does working in the prestigious Leonard & Claire Tow Center for the Performing Arts help with your work? The Leonard & Claire Tow Center for the Performing Arts provides an exciting opportunity and a collaborative atmosphere that amplifies all of our efforts. The center’s commitment to innovation and community engagement aligns with our goals, allowing us to host workshops, performances, and discussions that connect students with leading figures in the music world. Overall, I envision a vibrant hub where creativity thrives, and diverse voices are celebrated. You are also the director of the New York Philharmonic Chorus. Tell us about what that is like. Directing the New York Philharmonic Chorus is a deeply fulfilling experience. It’s an honor to lead such a talented group of singers, and working alongside one of the premier orchestras in the world is both inspiring and challenging. Each rehearsal and performance presents an opportunity to explore a wide range of repertoire, from classical masterpieces to contemporary works, allowing for rich musical experiences. One of the standout experiences would have to be our travel to China to record and premiere Émigré by Aaron Zigman with the Shanghai Symphony Orchestra. This powerful work reflects the poignant history of Jewish refugees who sought refuge in Shanghai during World War II, highlighting the city as a haven for those escaping persecution. The cultural significance of this collaboration lies in its celebration of resilience and the connections forged between Jewish and Chinese communities during a time of great adversity, reminding us of the importance of solidarity and shared humanity in challenging times. I was so proud to bring seven Brooklyn College alums to join me in China for this incredible experience. Both at the college and throughout the country, you seem to have an incredibly busy life. What advice would you give students who are trying to jungle responsibilities as artists both inside and outside of the classroom? Balancing the responsibilities of being an artist both inside and outside the classroom can indeed be challenging, but it’s also immensely rewarding. My advice to students is to prioritize time management and find a rhythm that works for them. It’s essential to set clear goals and break them down into manageable tasks. I prioritize making time to truly live life, as it’s easy to let work take over if you’re not careful. I create balance by staying active, hitting the gym regularly, and ensuring I carve out moments for rest and relaxation. Cooking and baking are passions of mine, and I love sharing my creations on Instagram—it’s a fun way to express my creativity outside of music. And of course, tending to my plant babies provides a grounding presence in my busy schedule, reminding me to appreciate the little joys in life. Finding these moments of connection and creativity is essential for maintaining my overall well-being. Additionally, don’t hesitate to seek mentorship and support from your peers and faculty. I have a core group of mentors and peers that I regularly use as a sounding board. Surrounding yourself with a community that shares your passion can provide inspiration and encouragement. Remember to take breaks and prioritize self-care, as sustaining your energy is crucial to maintaining your creative spirit. Embrace the journey, stay curious, and let your unique voice shine through all your endeavors! Learn more about Merriweather’s 2024–25 season at his website.
